04-18-25

ECCLESIOLOGICAL ETCHINGS 
April 18, 2025
In a college art appreciation class, I saw Rembrandt’s etching, “The Three Crosses” for the first time (https://www.metmuseum.org/art/collection/search/359757). I must admit that the class had not been particularly captivating before that moment. However, that particular image not only captured my attention but also left an indelible mark on my mind. I had encountered numerous paintings depicting the crucifixion, yet somehow, they failed to convey the profound suffering and anguish that it truly represents. In so many other paints, there tends to be a pleasant aura around the crucified Christ, and the colors give a sense of calm or even happiness. In Rembrandt’s etching, the darkness and contrasting light are challenging and somewhat intimidating. The first time I saw it, I found my breathing to be labored and my heart rate increasing. I know it is only one person’s opinion, but I don’t know of too many other pieces of art that have captured the crucifixion so powerfully. Other pieces of art might portray excellent techniques and methods, but I believe most of them fall short of embodying the events of Good Friday. I am not one to dwell on the suffering or bloodiness of this day, yet it is impossible to truly embrace resurrection if no one has died. We must remember that Easter does not celebrate a new and improved life. It is life on the other side of death. Period! 

Help me, O Creator God, to find the courage to praise you as the centurion did at the base of the cross—an unimaginable moment of suffering. Guide me to a place of hope and possibility, even when everything else indicates despair. Amen.